2020 Working-Class Studies Association Lifetime Achievement Award ~ Janet Zandy

PRESS RELEASE

July 21, 2020

CONTACT:

Terry Easton, past WCSA president

The WCSA, an international network of scholars, activists, and artists interested in working-class issues, offers lifetime achievement awards to those who have made significant, long-running contributions to the field of Working-Class Studies.

Janet Zandy’s body of work fuses the lived experience of working-class people with theoretical sophistication and commitment to democratic ideals. For over thirty years, her scholarship has provided foundational ideas and texts for the emergence of working-class studies as a field. In Calling Home: Working-Class Women’s Writing (1990), Zandy challenges canonical notions of literary value when introducing readers to the lived and imagined experiences of working-class and poor women writers. In Liberating Memory: Our Work and Our Working-Class Consciousness (1994), Zandy reveals the power of memory and identity as a usable past through voices of academic and cultural workers from working-class origins who had migrated to middle-class institutions or settings. Emerging from an expanded version of the 1995 special issue of Women’s Studies Quarterly on class, What We Hold in Common: An Introduction to Working-Class Studies (2001) connects the visionary with the possible through scholarship, creative writing, educational initiatives, syllabi, and bibliographies from new and established writers and workers. In Hands: Physical Labor, Class, and Cultural Work (2004, Honorable Mention, John Hope Franklin Prize in American Studies), Zandy creates a juncture where seemingly disparate voices and events coalesce to enable meditation on the architectonics of human bodies, particularly workers’ hands, the body part that provides “lucid maps to the geography of human complexity” (1). Zandy’s collaboration with Nicholas Coles, American Working-Class Literature: An Anthology (2007), offers an astounding collection of 150 non-canonical and canonical writers of varied races, ethnicities, genders, geographies, and religious backgrounds across 400 years of cultural expression, and has become an essential sourcebook for working-class studies pedagogy and historical reclamation.

After developing a course in photography and writing in 2005, Zandy turned her scholarship toward photography, probing how class shapes the history of photography. She published two articles in exposure, “Photography and Writing: A Pedagogy of Seeing,” and “Seeing Beyond Dirt: The Language of Working-Class Photography,” a study of photography by and about workers that received the Society for Photographic Education award for outstanding historical and cultural writing on photography in 2010.  Zandy received an Ansel Adams Research Fellowship and Peter E. Palmquist award for research on women photographers Hansel Mieth and Marion Palfi at the Center for Creative Photography in Tucson, Arizona. Her book on Mieth and Palfi, Unfinished Stories: The Narrative Photography of Hansel Mieth and Marion Palfi, was published in 2013. Zandy also published on photographer Milton Rogovin in New Labor Forum and Transformations. Forthcoming in the Routledge International Handbook of Working-Class Studies is “Mapping Working-Class Art,” a chapter that led to her current project, Common Art/Common-ing Art, a book on class, art, and workers that identifies power relationships and constitutive elements of working-class art expressed in presentations of laborers, slaves, peasants, servants, sowers, planters, and reapers in printmaking, painting, photography, and sculpture.

Pedagogy is another component of Zandy’s contribution to the field of working-class studies. As a professor in the English Department at Rochester Institute of Technology (now Professor Emerita), where for many years she taught up to nine courses a year, Zandy guided several generations of undergraduate students through analysis of the intersections of class, gender, race, sexuality, and environmental justice. With a devotion to teaching as energetic as her attention to writing, Zandy’s students learned how to see themselves as part of something larger. In an end-of-the-semester reflection in her New American Literature course, a student responded to Zandy’s prompt drawn from Antonio Gramsci’s  ideas about the purpose of education (“to know oneself better through others and to know others better through oneself”): “We rarely are pressed to look at the world through other people’s eyes. We are allowed to sit in our quiet comfort zones and dwell on our own lives. Therefore, when given a book where the characters’ lives are so dramatic and filled with emotion the only way to give justice to the work is to leave our comfort zones and become a part of the text ourselves.” Akin to Lewis Hine’s work with a camera, so too did Zandy’s classroom labor enable students to cultivate a new way of seeing, a class-consciousness, and a sense agency.

In 2020, as we create a world – a text – where empathy bends the moral arc toward justice, Zandy’s scholarship, historical reclamation, and pedagogical legacy are central to a field that demands answerability through dialogic approaches to texts, art, and political terrain, widely defined. Read one of her books, talk to her at one of our conferences, or join her in Rochester, New York, for Workers Memorial Day, an annual public gathering that commemorates the thousands of workers whose deaths, injuries, and occupational illnesses result from their jobs; in this heteroglossic space where workers names are read aloud, testimony unites the living and the dead where the past is remembered, current struggles are acknowledged, and worker safety is demanded.

In 1995, at the Working-Class Lives/Working-Class Studies Conference in Youngstown, Ohio, Zandy presented on “traveling working class.” She describes the conference as a “jubilant occasion” where she and others felt a “new trajectory” that “validated the importance of carrying the best of working-class values, ethos, and knowledge into the academy, and of using that rich, complex, even discordant heritage to expand what constitutes knowledge.” To her delight she realized that people no longer had to work in isolation, but instead had allies, “builders from inside and outside working-class lived experience” (What We Hold in Common ix). Since that touchstone 1995 conference, Zandy’s light continues to shine through generations of scholars she has mentored. In her oeuvre, Zandy illustrates that working-class voices are tools of resistance to class domination and cultural elision. Let’s cinch up our shoes and keep traveling working class as we honor Janet Zandy for her work in forging a multi-voiced, mellifluent, and discordant collective designed by, for, and in the interests of working-class people.

~Terry Easton

2019 Working-Class Studies Association Awards for work produced in 2018

PRESS RELEASE

2019 Working-Class Studies Association Awards for work produced in 2018

August 14th, 2019

CONTACT:

Terry Easton, immediate-past president and 2018 awards organizer

Each year, the Working-Class Studies Association (WCSA) issues a number of awards to recognize the best new work in the field of working-class studies. This year, they will be awarded in September 2019 at WCSA’s conference, hosted by the University of Kent, in Canterbury, United Kingdom. The review process is organized by the past-president of the WCSA, and submissions are judged by a panel of three readers for each of the categories of awards.

The results are in for the annual WCSA Awards for significant contributions to working-class studies in the year 2018; the winners are listed below, along with judges’ comments. Together these works demonstrate the scope and vitality of cultural and scholarly production in working-class studies, and they serve as an inspiration to future work in the field.

C.L.R. James Award for Published Book for Academic or General Audiences 

The Half-Life of Deindustrialization: Working-Class Writing about Economic Restructuring by Sherry Lee Linkon

Judges’ comments:

“Sherry Lee Linkon’s inventive and pathbreaking study constitutes a major and, really, foundational contribution to working-class studies overall and to working-class literary and cultural studies in particular. Linkon undertakes the vital, arduous, and exciting scholarly endeavor of creating a new category or genre [writing about economic restructuring] for organizing a body of literary and cultural production and then maps its contours and gathers and identifies in great volume the works that comprise this cohesive literary corpus. Culture is a primary means through which we process material and historical experiences, so having a cohesive and named body of cultural works that enables us to process the material, psychological, and spiritual dislocations and traumas deindustrialization inflicts on working-class communities and lives is hugely significant. Linkon provides a mountain of graceful and intricate close readings of texts, in addition to elaborating class in deeply human ways and on multiple levels, exploring, for example, the meaning of work or loss of work, beyond just the economic hardship and pain. Linkon invents anew a model for working-class studies scholarship.”

The Half-Life of Deindustrialization is a new and bold intervention into the scholarship on working-class literature and culture. With clarity, elegance, and a keen critical eye, Linkon delivers an interpretation of a range of intersectional texts, weaving them together to paint a picture that is both rich in its particularities and inclusive in its scope.”

“Linkon examines the often-devastating impact of deindustrialization on workers, their families, and communities in the U.S. by examining working-class literature, broadly defined, from the 1980s to 2010s. Her close reading of that literature permits her to examine the subjective experience of deindustrialization by several generations of workers, from the ‘inside out.’ Linkon succumbs to neither nostalgia/celebration nor cynicism/condemnation. Instead, her critical but empathetic analysis reveals the intelligence, courage, tenacity, and creativity of many of those who live and labor in the ‘rust belt.’”

Tillie Olsen Award for Creative Writing (two awards)

Sacred Smokes by Theodore C. Van Alst Jr.

Judges’ comments:

Sacred Smokes is profane and filled with drugs and violence—in other words, an authentic representation of working-class urban life in the 1970s. That’s not all there is to the collection: the narrator’s voice is compelling and unique, maintaining throughout a story-telling approach. Many working-class readers will recognize in these stories the tension between desperate recklessness and the hunger for books and a better life. The collection’s tone-perfect survival humor helps create verisimilitude and keeps readers engaged with the collection despite its often-dark themes. Van Alst has not only written one of the few fictions about urban working-class Natives, he has revealed the deep truths of growing up working class in 1970s America.”

“The combination of authenticity, poetic musings, and gritty realism in of the author’s voice makes this book extraordinary. Theodore Van Alst’s ability to put the reader inside the head of the protagonist is remarkable. It shows the humanity and texture of life among those in the poverty/working class who actually enjoy being there, despite the many drawbacks and dangers. This book also illuminates an important, overlooked corner of working-class studies: American Indian experience in inner-city working-class neighborhoods.”

Learning to Heal: Reflections on Nursing School in Poetry and Prose edited by Jeanne Bryner and Cortney Davis

Judges’ comments:

Learning to Heal is the best kind of writing working class studies has to offer: actual workers telling their real-life stories with poetic, authentic, and instructional voices. I laughed, I cried, and I learned a lot as I read. An exceptional view into the inner lives of a too-often overlooked, but crucial, group of workers (mostly women, also, an often-over-looked group) that underlines the incredibly difficult and essential work of giving care to others. This book charts perilous human journeys of both nurses and their patients with grace, humor, empathy, and dignity.”

“A captivating collection of poems and personal stories, in which the work of nursing and the lives of those who undertake it are given voice. Time collapses—the stories don’t follow a chronological order, but instead we see the parallels between experiences, change in a wider context, and the kind of complex class, family, gendered, and racialized relationships that a straight chronology would simplify. The quality and ambition of the poetry is of the highest standard, and the blurring of roles that comes with being both an author and nurse foregrounds the varied trajectories that working lives may take.”

“The breadth of writing is outstanding—as co-editor Jeanne Brynner notes in her introduction, the age span of contributors ranges from recent graduates in their twenties to elders in their nineties. The anthology is also diverse in ‘gender, race, nationality, socioeconomic opportunity, and education,’ thereby sharing a range of experiences and, perhaps, changing and informing perspectives about who a nurse is and what a nurse does. At the same time, the writing is emotionally strong, creatively composed, and an important addition to the literature of ‘what work is.’ Learning to Heal should be required reading in all nursing schools.”

John Russo & Sherry Linkon Award for Published Article or Essay for Academic or General Audiences

“Durban Dockers, Labor Internationalism, and Pan-Africanism” by Peter Cole

Judges’ comments

“A far-ranging—if pithy—examination of how black dockworkers around the world (and throughout time) have set aside their own immediate concerns to use collective action in support of other people of color, especially in Africa. Peter Cole draws on a rich body of primary and secondary sources from history and literature to contextualize recent events. He links the Durban dockers’ refusal to unload arms for the Mugabe regime to trans-Atlantic sailing during the slave period, Marcus Garvey’s pan-Africanist movement, and Jamaican Claude McKay’s modernist novel Banjo. In so doing, he also corrects recent assessments of Africa-specific labor on the docks but manages to do so in a way that is nevertheless accessible and engaging for broader audiences and that is also hopeful, as the lessons of the Durban dockers can and should be read more broadly as a template for current ways of resisting global capital and violence.”

“Using historical and ethnographic data, Cole examines how dockworkers in South Africa intervened in the delivery of weapons routed to Zimbabwe. He contextualizes this with short discussions of other similar interventions to suggest that, in an age of worker disempowerment and union weakness, there are still moments when effective resistance occurs. The particular strength of the essay is the conversation it creates between workers and global capitalism. Workers are often discussed as non-agentive cogs in ever-expanding networks of neoliberal global flows, but Cole offers a case study that inverts this narrative. Cole inspires scholars to investigate other kinds of ‘chokepoints’—related to transportation or otherwise—where workers have the potential to exercise agency and where unions are relevant. Since ‘class’ is so often locally defined, it is fascinating to have a case study that truly considers working-class workers across national and even continental boundaries.”

Studs Terkel Award for Media and Journalism

Memorias Culturales de un Pasado Industrial / Cultural Memories of the Industrial Past by Rubén Vega and Irene Díaz

Judges’ comments

“Rubén Vega and Irene Díaz’s Memorias Culturales de un Pasado Industrial beautifully weaves the stories of more than a dozen local artists in Asturias, Spain, to create a compelling and provocative documentary about how the history of the mining industry and labor protest has shaped the landscape, and the role of art in resurrecting these histories. The filmmakers carefully unveil what is lost in the criticism of the mining industry, building an argument around the elements of the work that are tied to local identity, and the power of art to keep it alive, namely a collective class consciousness, and a struggle that lifted living standards. In celebrating the functions of art in preserving cultural memory of industry, the film also advances its own role in tying together the experiences of disparate artists working to reaffirm a collective identity across a range of media, from dance to rap to graffiti.”

“This film captures the collective memory of ruins that comprise the region’s landscape, giving new meaning to its deindustrialized space. It’s a living testimony of artistic expression devoted to the memory of working-class history and culture where, in telling their own story, in their words, they resist the narrative of silence and erasure. The images of murals and other visual arts to document worker’s resistance offers a ‘self-reflection’ that moves beyond nostalgia to reclaim past struggles and its relevance in the present. A moving film that inspires.”

Constance Coiner Award for Best Dissertation

The New Entrepreneur: Worker Experiences in the Sharing Economy by Alexandrea J. Ravenelle

Judges’ comments

“Alexandrea Ravenelle’s topic is on the cutting edge, given the exponential rise of the so-called ‘sharing economy.’ She creates true grounded theory by drawing her findings out of long, in-depth interviews with TaskRabbit workers, Uber drivers, AirBnB hosts and a rent-a-chef service. Each of her findings is brought alive by human stories. While she found that many gig-economy workers, in particular those who start out with more capital and cultural capital, fell into the Success Stories and Strivers categories, the horror stories of the ultra-exploited Strugglers category are the most heart-wrenching. By including the labor history of winning protections such as workers comp, unemployment insurance, OSHA, overtime, limits on hours and breaks, etc., she makes her point that many of today’s gig workers are working under 19th century conditions, reversing all that progress. The New Entrepreneur is a compelling read, and essential for mounting a resistance to the erosion of worker protections.”

The New Entrepreneur: Worker Experiences in the Sharing Economy is a timely and detailed project that reveals much about the working conditions of workers in the sharing economy. Ravennelle interviewed nearly 80 workers who were working for four sharing economy services: Airbnb, Uber, TaskRabbit and Kitchensurfing. The project highlights the ongoing casualization of work in the new economy, and reveals the ways in which work, and life more broadly, has become precarious for many. As she writes, ‘In addition to the daily risk of unemployment, workers are outside the workplace social safety net of unemployment insurance, retirement and health insurance contributions and workers compensation. As a result, when they experience on-the-job injuries, sexual harassment, or find themselves in criminally questionable situations, they have no recourse or protections.’”

Jake Ryan Award for a Book about the Working-Class Academic Experience 

Returning to Reims by Didier Eribon

Judges’ comments

“Didier Eribon is a French writer and academic, previously known for his work on Foucault and queer/gay issues in France. In this autobiographical work, Eribon comes out as working class, something that he says was incomparably more difficult than coming out as gay. It is this which tells the reader so much about the significance of class for the French intellectual elite despite a radical class history in the country. By weaving together autobiographical detail about growing up in the industrial heartlands of northern France together with social commentary on class in France, Eribon has created a hugely significant work that brings working class scholarship to a French audience and moreover brings together a discussion of class and sexuality that is long overdue. For me, being able to extend the reach of WCA’s championing of working class writing beyond the English-speaking world and into Europe, is hugely important for the society as a whole.”

“In this nuanced and heartfelt book focusing on the complexities of class as a lived experience, sociologist Eribon tackles both the individual and institutional realities of the working class in France. In a book which speaks heavily to the present political moment in Europe, as well as in the United States, Eribon faithfully represents the working-class experience, while also taking careful steps not to purport to speak for the working class, often questioning the motives of those who do. From his detailed and fraught depictions of his upbringing as a gay, working-class man in France to his alienation from an educational system that seeks to reproduce social class inequalities to his intellectual coming-of-age wrestling with what it means to identify as both a Trotskyist and a gay man, this book highlights the intersections of class with other identities within varying institutional contexts. As the title suggests, so much of the book grapples with identity and the meaning of home, particularly when that home imposes insult and stigma. Returning to Reims questions the extent to which upward mobility makes it possible to truly return home, or indeed, to claim a home at all. A masterpiece of memoir and critical theory.”

Special thanks to those who served as judges:

Jeremy Baker, Columbus State Community College

Nathan Heggins Bryant, Chico State University

Marc DiPaolo, Southwestern Oklahoma State University

Michele Fazio, University of North Carolina at Pembroke

Liza Sapir Flood, University of Virginia

Mara Fridell, University of Manitoba

Scott Henkel, University of Wyoming

Allison L. Hurst, Oregon State University

Barbara Jensen, Community and Counseling Psychologist / Educator

Gary Jones, American International College

Colby King, University of South Carolina Upstate

Betsy Leondar-Wright, Laselle College / Class Matters

Tim Libretti, Northeastern Illinois University

Jeanetta Calhoun Mish, Poet

Asia Muhammad, Graduate Student, University of North Carolina at Pembroke

David Nettleingham, University of Kent

Lizzie Presser, ProPublica Journalist

Valerie Walkerdine, Cardiff University

Deborah Warnock, Bennington College

WCSA in Action

American Studies Association ~ Nov. 2018

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A panel at the American Studies Association, Class Contingencies: Visibility and Absence in Contemporary Working-Class Representations, featuring Sherry Linkon, Robin Brooks, Joseph Entin, and Derrick A. Jones.
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Terry Easton, Associate Professor of English, Univ. of North Georgia, talking about his community project, “Border Crossing with Oral History and Photography.”
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Michele Fazio, Scott Henkel, Christie Launius, Vanessa Fonseca-Chavez, and Terry Easton at the American Studies Association, Nov. 2019, talking about the emerging field of working-class studies.
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Sherry Linkon presenting, “Deindustrial Intersections: Narrating Race, Gender, and Precarity in Contemporary Working Class Novels.”
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Dr. Vanessa Fonseca-Chávez, Assistant Professor of English, Arizona State University, discussing her interdisciplinary ethnographic project, “Following the Manito Trail,” that documents Hispanic New Mexican, or Manito, migration from New Mexico to different parts of the United States during the last century.

A Year in Review

Members of the WCSA have been actively participating in conferences throughout the past academic year, including the American Studies Association, the Modern Language Association, the Southeastern American Studies Association, and the Labor and Working-Class History Association.  This week will feature a number of images of folks in action.

Southeastern American Studies Association ~ March 2019

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Students presenting works in progress at the Southeastern American Studies Association March 2019 conference: (front row) Castiel Dixon, University of North Georgia, “Falling Down, Falling Apart, and Finding Home in Reservation Blues;” Robyn McNeil, University of North Carolina at Pembroke, “Blues, Body, and South: The Representation of African-American Women Blues Entertainers in Poetry;” (back row) Asia Muhammad, University of North Carolina at Pembroke, “The Walking Dead: Michonne, Tropes, and Exploitation;” Crystal Hester, University of North Carolina at Pembroke, “The Modern Epic: Comics and Working-Class Literature;” and William Adam Hollis IV, University of North Georgia, “‘The expression of a thousand present miseries’: Stephen Crane and Class.”
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The panel, “Talking Back through Working-Class Literature,” at the Southeastern American Studies Association March 2019 conference: Asia Muhammad, Crystal Hester, Castiel Dixon, Robyn McNeil, William Adam Hollis IV, and Michele Fazio.
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Michele Fazio, University of North Carolina at Pembroke, and Terry Easton, University of North Georgia, presenting with their students at the Southeastern American Studies Association March 2019 conference.

 

 

 

Easton Awarded Faculty Grant

In summer 2018, immediate past-president, Terry Easton, was awarded a FUSE grant to conduct collaborative research and writing with an undergraduate student at their host institution, the University of North Georgia. They aim to publish their results, an analysis of Sherman Alexie’s novel Reservation Blues using working and poverty-class lenses, in a peer-reviewed journal.

Easton continues his role in the McNair Scholars Program, where he is currently mentoring an undergraduate student studying literary Naturalism, Realism, and Working-Class studies. The program prepares for post-graduate studies first-generation college students with financial need and members of traditionally underrepresented marginalized or minority groups in graduate education.

2018-2019 Election Results

Please note the line-up of WCSA officers for 2018-2019.  Congratulation to all involved in the election process, and especially the Elections Committee (Jackie Gabriel, Jeremy Baker and Lisa Kirby).